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“Imperfection is the goal. You get tension with imperfection and small amounts of chaos in these pieces, which is strengthened by how unfinished and raw the space is,” he said, standing in front of a purposely placed painting on a wall that shares many of the same colors and attributes in Wool’s art — tones in black, gray, white and pale salmon. “There are also heavy passages of white paint and blobs of white plaster on the wall, which enhances the painting and the art. This story is about the relationships between the different elements of work and the building itself.”